Showing posts with label Publishing. Show all posts
Showing posts with label Publishing. Show all posts

Tuesday, 16 June 2020

THE BOOK OF SNOW & SILENCE COVER REVEAL! (And pre-orders!)

Hello, Dear Readers! Happy Tuesday, and I hope you're all having a pretty good week so far. Thank you so, so much for your RTs and shares for the announcement of THE BOOK OF SNOW & SILENCE last week. This book is really special to me. I love it. It's probably my favourite thing that I've written since Shadows on the Moon. Your support means more to me than you can possibly know, especially after I've been on such a long break from the blog and the book community. *Smooshes all*

Your general loveliness about The Book of Snow & Silence makes me all the more gleeful that I get to bring you this utter lusciousness today without having had to make you wait for aaaaaaages as in times past. The cover is coming right up below - BUT! Before we get there - yes, you, I know you were about to begin scrolling, just wait for a second, OK? - I also have MORE VERY GOOD EXCELLENT NICE NEWS.

As of today, pre-orders of the ebook of The Book of Snow & Silence are LIVE. Yep, you can order the ebook right here, right now!

This is great in more ways than one. The official release date for both the ebook and the paperback is the 30th of June, two weeks away - but if you pre-order the ebook before that release date, you'll get it for £1.99. I don't know about you, but I think that's a saving well worth getting your paws on.

If you don't want to pre-order for whatever reason - for instance if you don't like ebooks and are planning to wait for the paperback - don't worry! I promise there will be goodies for you as well. But I'll wait for release day to get to those 😘

I also wanted to give a head's up to blogger/reviewer friends: if you're interested in reviewing this, email me at z d marriott (at) g mail dot com and we can arrange to send you a PDF proof. A book like this lives or dies based on reviews - mainly Amazon reviews - so it would honestly mean so much to me if people would be willing to leave *honest* reviews, even just a few words, on the book's Amazon page.

And now, without further burbling on my part... the cover art reveal!




DRUMROLL PLEASE!





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Look at the beauteousness!  

 


 
The icy blue-green northern lights colours! The ominous stormy clouds billowing up behind that tempting crown - which happens to appear to be constructed of snowflakes and ice!


The subtle glacier cracks on the title font!

WE LOVES IT MY PRECIOUS. I'm always so happy when details that are important in the story are so strong on the cover art, and this is not only perfect for this book, but a damn knock-out in it's own right. Thank you so much Lauren, Cover Designer Extraordinaire! Me and my characters salute you!

OK, to sum up - pre-orders are now live (eeeeeiii!) and reviewers and bloggers can email z d marriott (at) g mail dot com to ask for a (non-pretty, but final text) proof if they're interested. Reviews are life, muffins!

Let me know what you think of this cover art in the comments 🙂

Friday, 12 June 2020

NEW BOOK ANNOUNCEMENT!

Hello, hello, hello and happy Friday, Dear Readers! Forgive me friends, for I have sinned: I know it's been a year since my last post - but please don't hate me!

A lot has happened in that year, some of which I don't really want to go into, including serious illness in my family. I also finished my time as an RLF Fellow at York St. John University - a posting I loved so much and will always look back on as one of the happiest times in my life - and I'm now in the final term of my Master's Degree in Creative Writing, working on my dissertation. So, you know. It's been busy. I'm sure you've been busy and had amazing ups and down since I last posted too - sound off in the comments if you like. I promise to reply to each and every one, as always.

But in addition to all that, I also did something you might be a bit more interested in.

I wrote a new book.

And it's going to be out... er - well - at the end of the month? EEEEEEEIIII!

Ahem. Sorry to spring it on you like this - but I hope you don't mind too much? It basically just means you don't have to wait for ages while I accidentally tease you, right?

Today I'm going to share some of the details of my ACTUAL FACTS TENTH NOVEL (omg) and I hope that next week I'll be able to do the cover reveal, and tell you the official release date, as well as a few other juicy details.

So first up - what's the title?

DRUMROLL PLEASE!


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THE BOOK OF SNOW & SILENCE


Ta-dah! So what's it about? Here's the back cover blurb:

Girls of Paper & Fire meets A Game of Thrones in THE BOOK OF SNOW & SILENCE, a darkly romantic queer fantasy inspired by Hans Christian Andersen’s The Little Mermaid.

Fierce Princess Theoai is devastated when betrayal by her own sister destroys her chance to inherit their mother’s crown. Exiled across the sea to wed a prince she has never met, she soon finds that taking possession of her new crown will be more perilous than she could ever have imagined. The snowy realm of Silinga is rotten to the core, and Theoai’s handsome Prince is spoiled and reckless, with eyes only for the beautiful mute who washed up on the shore the day after Theoai’s arrival: Shell. 
But though she enchants the entire palace with her unearthly dancing, Shell is more than just a romantic rival, and against her will Theoai is drawn to her. As they both navigate the glittering, treacherous court, their relationship changes from hostility to friendship – and then to a love that will shake the very foundations of the cold kingdom that seeks to tear them apart.
THE BOOK OF SNOW & SILENCE is a sweeping, Feminist novel of enchantment, ambition and, above all, love.
Here is the link to add it on Goodreads if you want.

And the link to the book's Pinterest board and the playlist on Spotify, although I probably spent a good 50% of my time listening to the Blue Planet soundtrack as well; it's so perfect.

Some aesthetics!







And finally under, the cut below - a new and completely exclusive snippet from the first chapter of the book! 🠋🠋🠋🠋🠋

What do you think of this, my lovelies? Let me know your thoughts below - and I'll be back next week with even more bookalicious juiciness for you. Take care of yourselves until then.

Thursday, 18 April 2019

ARCHIVE TREASURE: WAKE UP & SMELL THE REAL WORLD

WAKE UP AND SMELL THE REAL WORLD: DIVERSITY IN FANTASY (Originally posted here 26/1/2011, now unearthed from the archive and carefully dusted off for your reading pleasure)


This post started out one way, and ended up becoming something else. I sat down with the intention of writing a How To article on the topic of world building, with the bullet points and all that. But as I sketched out my process for coming up with a textured and diverse fantasy world, I began thinking about a discussion I've been having with some writing friends lately, and some really interesting blog posts that I've recently seen from other writers, and instead, it turned into an essay.

So first, I need to make a confession. I'm white, though from a mixed race family. And I can pass as straight, although I'm actually not (which is kind of a complex issue, and not the topic of this post, so I'll move on). And I can usually pass as able bodied - the chronic health conditions from which I suffer are not visible and during 'good' periods I come very close to normal health. I'm not neuro-typical, but again, most of the time I can pass. I'm also cis, which means that my biological sex and gender expression match up to ideals of 'femininity' as accepted by the modern Western world. Therefore, I have what is called privilege (not as much as others, because even though I can pass as straight and able-bodied and neurotypical, I'm not, but again - another topic for another post).

The term 'privilege' encompasses a lot, but for the purposes of this essay it means that when I turn on the TV, go to see a film or pick up a book, the overwhelming number of characters depicted, the overwhelming number of stories told, will be about people who look 'like me'.

For much of my early life, I unconsciously felt that those people were the majority of the world, and that those stories were somehow universal, archetypal, the default.

They are not.

When I slowly began to become aware of this, at first I didn't know what to do about it. It was easy for me to argue that I simply didn't have the experience required to write about people who weren't like me. I'd never walked down the street and seen automatic caution or fear or disgust in someone's eyes just because of how I was born. I'd never experienced racial abuse - although members of my family had, it's just not the same. I'd never had to defend my right to to hold hands with someone I loved, or come up against the assumption that I was a brave little soul or a freak of nature from a complete stranger. My private life, of course, with friends, co-workers, acquaintances and family members, was a different matter. But in essence, when I walk down the street people look at me and see an inoffensive white girl and, unless they are vile misogynist street harassers (with whom I have had my fair share of run ins) let me be.

I've seen this argument a lot, from writers. That they don't have the experience, that they'll get it wrong, that they don't want to offend anyone - and so it's better if they just write about characters like themselves. And I've seen writers who have made that arduous effort to include the odd gay or non-white or not-able bodied character talk about how difficult it is to correctly portray someone who is not like them. And I've seen other writers say that they feel they're being pressured to make 'all their characters' non-white or non-straight or non-able bodied, or you know, not just like them, and it makes them feel restricted and uncomfortable, like their choices are being taken away.


But here's the thing. White people are not the majority of the world. 100% heterosexual people who fit perfectly within modern Western gender binaries are not the majority of the world. Able bodied people are not the majority of the world. We - and I include people like me, who don't actually fit into many of those categories - just think they are because the vast majority of the time, people who are NOT white, and straight, and cis, and able bodied, only show up in the media in token roles. Look, we included a sassy gay boy who can give the heroine advice on clothes (but will never get a meaningful relationship of his own)! Aren't we tolerant? Look! We included a sassy black/Chinese/Indian best friend to give the heroine advice on being true to herself (who may get a relationship but it will only be with someone of the same ethnic group)! Aren't we racially aware! Look, we included a sassy boy in a wheelchair to give the heroine advice on understanding what is important in life (who won't even get to express an interest in a life of his own because after all people in wheelchairs are just there to prove a point)! Aren't we broadminded!

No. I'm afraid you aren't.

Currently, the media is showing a horribly skewed picture of the real world. Fiction writers, with our limitless power to reinvent the world, to hold a mirror up to it or subvert it, are showing a horribly skewed picture of the world. If you are not white, if you are not straight, if you are not physically perfect (and to some extent, if you are one of the slightly more than 50% of the population who is female) you know how it feels to wonder why no one wants to write about people LIKE YOU for a freaking change. Write stories that are unique to your unique experiences and which treat the characters involved like fully developed, complex and evolving people, not just props for the white, straight, able-bodied lead actor/character to lean on.

Why isn't everyone - even the straight white (male) people - bored with straight white (male) characters yet?

The more I force my mind to open, the stranger it seems to me. Straight, cis, white, able bodied people are such a small minority in the real world that when you're attempting to create any kind of a realistic fantasy world it's quite *un*realistic to keep putting characters with those traits in the majority of the major roles. Why would you limit yourself that way?

I mean, that's not to say that writers with blonde hair can never write blonde heroines. It's not to say that straight, cis, white, able bodied people don't deserve to be in books and films, ever. But...come on. With such a startling variety of skin colours, races, ethnicities, cultures, physical traits, sexual and gender identities and preferences available for writers to extrapolate from, I think it's sad that so many writers do unconsciously chose to write books which only feature main characters 'just like them', or even 'just like' all those homogenous white, straight, cis, able bodied people on TV. If nothing else, it's boring.

When I wrote a guest post for another blog which briefly touched on this issue, the response in comments really shocked me (that was before the Mary-Sue thing. After that, I'm not sure I can be shocked anymore).

Some people were defensive, saying that their all-white, all-straight, all-able-bodied casts '...just come to me! I don't decide on their race/sexual orientation/physical status! My character are who they ARE!'

Bull. Sorry, but it's bull. You have nothing to do with how your characters turn out? They just magically appear to you, fully formed? Let me tell you what is magically and mysteriously presenting these all-white, all-straight, all-able-bodied casts to you: your own unexamined prejudice.

I'll let you in on a secret. Those TV-ready casts of white, straight, cis, able-bodied characters 'just present themselves' to me quite often as well. But when it happens, I stop, remember that I'm the author and I'm in charge of the stories I write, and make a decision that it's not good enough. And I go searching for characters who deflect a more realistic and diverse picture of the world.

Other commenters on the post took a 'Pshaw! What do YOU know about it, white girl?' stance. It's harder to argue with that one because I'm very aware that I'm making all these statements from a position of privilege. But at the same time, I'm one of the people who is writing works of fiction and putting stories out into the world, changing it - or shoring up its existing systems and structures of prejudice - even if I don't mean to. So don't I have a responsibility to speak out on this subject? Doesn't everyone, really?

Even though it might sound strange, when we're creating fantasy worlds I think it's vital to look at the real world first. The REAL real world. Overcoming our own unconscious assumptions and prejudices is an ongoing process for all of us - not just the white, straight, able-bodied ones - and no one is going to get it right first time or probably all the time, even if they're truly making an effort. But the first step to changing the world of fiction so that it reflects everyone instead of just a tiny, privileged portion, is to think about it and realise that things DO need to change.

Tuesday, 27 November 2018

COVER COMING SOON!!

Hello, hello, hello Dear Readers! Happy Tuesday to all - I hope everyone's having a good week so far. My week is definitely looking up, since I've had some fantastic news today.

I'm basically just posting to tease you this week, but I hope you'll forgive my need to share my excitement - because I've had confirmation that the cover art for The Hand, the Eye & the Heart is FINALISED and that I will be able to share it NEXT WEEK!

I love this cover so much, you guys. I've loved it since I saw the very first, very rough design idea, even though it was in bizarrely in black and white. Walker has really outdone themselves this time. They commissioned the absolutely legendary artist Kate Forrester to illustrate and hand-letter the cover, and every detail in her artwork is so respectful to the cultures the book draws on, and so beautifully and directly specific to this story. My first impression was that it looked like some kind of wonderful ancient tapestry - and since the art of weaving is very important in The Hand, the Eye & the Heart, that makes my little heart sing.

And soon I will get to share it with all of you!

*High pitched incoherent squealing*

Ahem.

OK, so here are the details. If anyone reading this has been lucky enough to be invited to Walker's YA Wonderland:



And you can make it, then on Monday of next week you will not only be meeting a bunch of cool authors and eating a bunch of delicious nibbles - you'll also be getting the very first, exclusive look at this cover art.

But don't worry if you're not going to be there. No, seriously - calm down, folks - would your faithful Zolah toy with her Dear Readers like that? Not only will all the bloggers present be tweeting what they see under #WalkersYAWonderland or #WalkerYA2019, but I'll also set up a blog-post all ready to go on Monday too. As soon as the presentation is over I will press 'Publish' and share the full cover on the internet in all its hi-res full-wrap glory.

Stand by on Monday evening to be BLOWN AWAY. I can't wait!

Tuesday, 23 October 2018

THE HAND, THE EYE & THE HEART: REAL TALK

Hello and happy Monday (if there is such a thing) Dear Readers! Amidst today's glorious autumn sunshine I have some lovely news:

THE HAND, THE EYE & THE HEART PRE-ORDERS ARE LIVE!

So far you can order here on Waterstones or here on Amazon. Hopefully it will soon show up on other sites. And with the pre-order, I can offer some new information. First, the book's official synopsis:
Zhilan was assigned female at birth; despite an unusual gift for illusions, they know they will live out their life in the perfumed confines of the women’s quarters. But when civil war sets the country aflame, Zhilan is the only one who can save their disabled Father from death on the battlefield.

By taking his place.

Surviving brutal army training as a male recruit – Zhi – is only the first challenge. Soon Zhi’s unique talents draw them into an even more perilous fight, in the glittering court of the Land of Dragons, where love and betrayal are two sides of the same smile. The fate of an Empire rests on Zhi’s shoulders. But to win, they must first decide where their loyalty, and their heart, truly belongs.

Wheee!

I can also tell you that the official release date is the 4th of April 2019 (these are inauspicious numbers in Chinese Feng Shui, but it's my birthday week so I'm hoping that will cancel it out). I've seen roughs of the cover and I can confirm that it is shaping up to be absolutely gorgeous, but I have no idea when it will be finalised or approved for me to share, so I won't tease you with it, except to say that, as always, as soon as I'm allowed, I'll slap it up here.

Now time for some real talk, Dear Readers.

I've written before about how important pre-orders are to the treatment that the book will get when it comes out, but just in case anyone missed that, let me reiterate - it can make a HUGE difference. It will decide where the book is stocked and how widely the book is stocked and how easy it is for casual readers to happen across it and what incentives (such as buy one, get one half price offers or ebook promotions) are in place to encourage them to buy it. And all that will have a vital effect on whether the book is considered a success or not - and if the author makes any money from it.

The part that concerns Dear Readers is that ultimately this will effect whether or not the author is ever offered a contract for a new book, so that you can continue to read and enjoy their work.

I really, really want this book to do well. I really, really want it to do well because I think it's a great and important story that deserves to be read and shared. I really, really want it to do well because I want there to be a popular book out there with an enby protagonist of colour. I really, really want it to do well so that too-often-over-looked readers can see themselves represented on the page by a character who is a goddamn badass. And I really, really want it to do well because if it doesn't then I don't know what that will mean for the other books that I desperately want the chance to write and share with you in years to come.

Pre-orders can help this book to do well.

So if you were intending to buy the book anyway, pre-ordering it sometime over the next few months would be a fantastic thing to do, to help increase the odds of further books from me appearing on shelves in the future. If you can't afford to do that - and I feel you! - then requesting it at your local library would also be great.

Closer to release I'm planning to run a massive competition and anyone who can show proof of a pre-order will have the chance to win all kinds of super cool THTE&TH themed goodies. If you do order the book before then, make sure you save your confirmation email or whatever so that you will be eligible!

In the meantime, much love to you all, Dear Readers. Next week I will probably hopefully finally get around to sharing some recent poetry efforts, so brace yourselves for that...

Monday, 23 April 2018

A QUESTION OF QUERY LETTERS


Hello, hello, hello, Dear Readers! Happy Monday - I hope you all had a great weekend, or at least are glad that it's over and a fresh week has begun. Today's blogpost is brought to you by a question that floated into my Twitter feed last week, as follows:
"Would really appreciate advice. Told not to mention the 3D's (divorce, death and disease) in submission covering letter. My pitch YA fantasy fiction is partly about death & comes from experience. Am I safe to mention the personal experience or avoid at all cost?"
I had to read this a couple of times before I could actually decipher it, which is nothing to do with the asker's clarity of expression, and everything to do with the strangeness of the actual question. Surely I must be misreading? So I tweeted back asking them to shoot me a quick email (and for permission to include my answer in a blogpost, to benefit all). I received the following reply via my website contact form: 
"The 3D's that were referred to concern their inclusion within a "pitch admissions letter".

The YA Fantasy Fiction I have written does deal with death throughout the story (not as dark as it might sound). As a family (myself and three children) we have been unfortunate, as are many families, to be visited by a succession of close family deaths, the majority of which were very unexpected, sudden and violent.

This was one of the reasons why my book deals (all be it in a fantasy manner), as it is something I have watched my own children struggle with.

From what I understand, some agents ask for personal experience connected to your writing whilst others have given the 3D's as something to never mention.

I am just concerned that if I dare to mention one of the 3D's then no agent is going to get beyond my initial letter."
I'm not gonna lie - I'm still super confused by this. I even Googled 'the 3Ds' and 'Pitch letters' to try to find out if this is some kind of common maxim that I'm not aware of. After all, it's been a long time since I wrote a query letter to an agent, and I've never taken part in #pitmad or any of those more recent online pitch-competitions. Perhaps there was something I was missing? Well, perhaps there is, but I still can't find anything about this odd prohibition online, so I'm just going to go with my instinct and answer as common sense dictates.

There are two questions here, really. The first is: Should I dare to mention mention death, divorce or disease in my query letter?

The answer is straightforward. Yes, of course - if these are important themes in your work.

The point of any kind of pitch or query is to tell the targeted publishing professional what your book is about. That's what they're for. If your book deals heavily with bereavement and you don't mention that in the query letter then that query letter is no good. You can't just find and replace the word 'death' with 'cheese' and hope the reader won't notice. And if you write a query that cunningly manages to gloss over that whole death theme and somehow convince the agent or editor that the book really is about cheese and not bereavement, they're going to be extremely annoyed when they request it and find that there is no mention of Gorgonzola but much mention of grief and loss.

If there's actually an agent out there who is refusing to read any submissions which deal with these three topics - and if there really are, then they must be vanishingly rare - then that's their loss, since I'd say about 75-85% of books (not including picturebooks... probably) touch on at least one of these, and many two or more! Including most of the best and most important books. I mean, agents and editors are free to say that they're not interested in whatever topics they like - I guess - although I seems like a random and counter-productive demand.

But what's really crucial is that you're not going to want to pitch to any of these agents or editors. Your work isn't going to interest them because it's literally about the thing that they've said they don't like. So steer clear. As fas as I'm aware, the vast majority of agents and editors still don't dictate that major themes of human existence be erased from a writer's work. I've never met or heard of one, anyway. This sounds like junk advice to me. The kind of Chinese Whispers stuff that has moved so far from its real basis, if it ever had one, that it has become complete nonsense.

Now for the second part: Should I mention my own family experience with grief, and how this has influenced my writing, in my pitch?

The answer to this one is more complex, but basically boils down to: Yes... if you're comfortable with sharing that information AND CONVINCED IT'S RELEVANT.

You are not required to bare your family tragedy to an agent or editor in order to convince them that you have the right to write about death, loss and grief. If you're worried that people won't understand the authenticity of your work without that context and are forcing yourself, with teeth gritted, to justify yourself: please don't. #Ownvoices is a wonderful thing, but it is not about writers herding themselves into ghettos where only semi-autobiographical work is valued.

If you're worried that people won't understand the authencity of your work and are eager to share the context... I guess go ahead? But be sure, first, that your own experiences really are relevant to the themes in the work. I'll mention here that all of my books deal with death, loss and bereavement to some extent and in some form. My own experiences with those things have absolutely, undoubtedly, indisputably informed those stories... but the books stand on their own. No one needs to know about my family's history of suffering to read, understand, or be moved by those books.

Perhaps there are unique circumstances surrounding your own experiences and those of your children and these inspired the book in a really direct way. I can't specuIate on that. I don't know you and I haven't read your book. If you're absolutely convinced this information is vital then include it. But do so very briefly and in such a way that it's clear this is only background to the book, not any kind of emotional appeal to the publishing professional to give your book a break because of what your family has been through. I'm sure that's not what you're intending, but unfortunately people do make emotional appeals like this in query letters all the time. I even get requests like this sometimes, from people who want me to refer them to my agent, or editor, or even just publish them myself (somehow???).

These appeals are often coming from a good place in someone's heart - but it just makes the person reading their letter intensely uncomfortable and irritated because it feels like emotional blackmail and what's more, no matter how heartbreaking the story, they CAN'T do what the query writer wants and publish something purely because they feel bad for them. Once you've recieved a few letters like this, you become very sensitive and prickly about them, so be careful.

It probably won't send up any red flags if you briefly mention:

My children and I were caught up in the events of this natural disaster in this year, and lost two close family members. Following our struggle to come to terms with our own grief, the inspiration to write a story dealing with the aftermath of such devastating natural disasters was born.

Or maybe:

After a losing three members of my extended family within one year, I witnessed my children's bewilderment and their attempts to make sense of their loss, and felt compelled to explore these topics in my book...

On the other hand, if your story is really strong and has a compelling premise of it's own? It is probably unncessary to mention the background at all. That doesn't mean it's VERBOTEN, but just that it's not likely to influence the editor or agent's decision to request your work either way. What always counts the most is the work itself.

Ultimately the decision on how much and what to share is up to you.

I hope this helps! I wish you the best of good luck with your query and your journey to publication.

Friday, 16 March 2018

SUPER MEGA SECRET BOOK DEAL ANNOUNCEMENT!

At last! At long, long last! At laaaaaaast!!! *Maniacal laughter*


Ahem. Yes, that's right Dear Readers! The very exciting news I have been teasing you with basically forever (don't hate me!) is now finally mine to reveal! And incidentally when I said 'very exciting' I actually meant THE MOST EXCITING THING EVER. Here's the official press release: 

Walker Books acquires a new YA fantasy novel The Hand, the Eye and the Heart from Zoë Marriott 

Marriott’s new YA explores themes of gender fluidity in a fantasy setting 

Walker Books are delighted to announce the acquisition of The Hand, the Eye and the Heart, a new YA novel from award-winning British author Zoë Marriott. Commissioning editor Annalie Grainger acquired world rights in all languages from Nancy Miles at Miles Stott Children’s Literary Agency. Zoë Marriott is the author of many critically acclaimed and beloved books, often inspired by myths and fairy tales, including The Swan Kingdom, which was longlisted for the Branford Boase award. Shadows on the Moon won the prestigious Sasakawa Prize and was an American Junior Library Guild Selection. The book will publish in Spring 2019.


In the tradition of bestselling and beloved writers like Tamora Pierce and Ursula Le Guin, The Hand, the Eye and theHeart is a rich and lavishly detailed YA fantasy that draws on explorations of gender fluidity and identity. Zhilan was designated female at birth. Marriage and children are the future, not war. But when a warrior rebel begins to ravage the empire and threatens Zhilan's family, they are determined to fight. The only choice is to dress as a boy and to take on a boy's name: Hua Zhi. In a world where love and betrayal are two sides of the same smile, danger lurks everywhere, and Zhi might be the only one who can save the Emperor ... but only if they can save themselves first.


Annalie Grainger said:


“Zoë is such a talented writer. Her books are always intricately plotted and beautifully written, and they draw on such complex pertinent themes, all within diverse and well-constructed worlds. Her latest builds upon this powerful legacy of diverse stories. Its world-building is glorious and the exploration of gender fluidity is important and sensitively handled.”


For more information, please contact Publicity Manager Rosi Crawley on
rosi.crawley@walker.co.uk

Tl:dr: My new book is coming out from Walker Books next year, and it is a high fantasy called The Hand, the Eye and the Heart.

For more details about the journey of writing this book and the challenges it brought, you can read my post HONESTY IS A DANGEROUS POLICY.

Bringing The Hand, the Eye and the Heart into the world was not easy. It was, in fact, dangerous. And uncomfortable and frightening. The fact that it exists anyway is testament to the support and vision of The Royal Literary Fund and Arts Council England, both of whom believed in me and helped buy me the time (over two years) required to research and write this book.

And of course, a massive thanks are also due to the steadfastness of Super Agent, whose regular doses of encouragment and good sense helped pull me out of periods of hopelessness more times than I imagine she ever realised.

Time for a little Q&A! (UPDATED 05/12/2019) - you can now Pre-Order the book here, here and here, or at any indie bookshop!

Q: Is it true this book is a retelling of 'Mulan'?

A: Not exactly. It isn't a direct retelling of any one story. It is heavily inspired by several different versions of the Ballad of Mulan - including the original poem and many subsequent, ever-evolving retellings within Chinese culture such as the Chinese Opera. But the main character of The Hand, the Eye and the Heart is not Mulan. The protagonist of this book is Zhi. It's really important to me that this is clear, because Mulan is such a revered and significant figure and I'm not seeking to mess with her. So I'm not claiming to retell 'the true story of Mulan' or anything sensational like that. Zhi's journey definitely echoes Mulan's in some ways - but that is about paying homage to a legendary heroic archetype, not subverting or revising Mulan's story.

Q: Is the book set in China?

A: It's set in an imaginary place called The Land of Dragons or the Red Empire. This (again) is heavily influenced by Chinese history, especially the Tang Dynasty - but only in the same way that, say, George R. R. Martin's Westeros is influenced by England in the Middle Ages. It is not intended to be a historically accurate portrayal of China. It's a fantasy. There's magic and all kinds of made up people and places and events, as well as many people and places and events which take history as a jumping off point for fantastical extrapolation. The Big Bad, for example, is a mixture of a bandit King referred to in one version of Mulan's story (a man called Leopard Skin) and a real general who rebelled against the Emperor during the Tang Dynasty.

Q: So is the main character really trans?


A: I think of their gender identity as falling under that umbrella, and wrote them with the intention of presenting them to my readers that way - personally, I believe Zhi to be what contemporary westerners would probably call gender fluid or maybe, more broadly, non-binary. But readers are free to interpret the character's gender in any way they like (so long as they don't try to say that they're cis! Definitely not cis).

Q: Did you have sensitivity readers who were Chinese or trans?

A: I've been lucky enough to have advice from several trans people at different stages, including two sensitivity readers who are both *brilliant* writers in their own right. We connected with one of these through the fantastic organisation Inclusive Minds. I've tried my absolute best to act on and incorporate every comment or suggestion they made. I also had really valuable help and advice from several readers (and friends and family members of readers) of Chinese and East Asian heritage, and one Chinese sensitivity reader who is also a professor of English (so intimidating).All these people have absolutely made the book better - more nuanced, truthful and respectful. There are probably still mistakes and things in it that could be improved, and I take full responsibility for those areas.


Q: Is it true that you're an LGBTQA+ writer? Are you trans?

A: I identify as queer, yes. But I don't really think that writers should have to offer up a list of their marginalised identities on demand as part of discussion of their work, so even though I'm happy to talk about my queerness at other times, I'd prefer not to go into it now. I will say that the book is not #ownvoices.


Q: When exactly is the book out? 

A: The fourth of April 2019 - and pre-orders are live (and much appreciated)! That's in the UK. The book doesn't have a US publisher as yet.


Q: When can we see the cover?

A: Right now! Here it is: 




Q: Can we read some of it?

A: I'm working on this. I'm excited to share it with you.

Q: Is this the never-ending manuscript that just keeps getting longer that you're always moaning about on Twitter?

A: Er...yes.


Q: How long is this thing anyway?

A: Currently? I mean, it's hard to really say, we're still editing so...

Q: Just spit it out!

A: It's a bit over 100k, all right? That might come down. Or it might go up. I don't know, I'm just the writer. Anyway, it's in the same general length bracket as
Shadows on the Moon. 

Other stuff that might be of interest! Some aesthetics I made on Twitter the other day and the Spotify playlist for the book. Also, some of you may remember that this book has been referred to (even in the tags of this post) as Codename: DTH. That's because the book's working title was 'Deceive the Heavens', which is a quotation from Sun Tzu's The Art of War.

That's all for today, muffins! Feel free to toss any more questions in the comments - I'm interested to hear what you think!

Friday, 23 February 2018

TALES FROM THE TRUNK

Hello, lovely readers! A new post for you today - TALES FROM THE TRUNK - over on Author Allsorts, on how (not) to deal with rejection once you've been published. This involves the story of my very first novel, which became my third novel, which became, eventually, the Giant Killer Clockwork Praying Mantis Death Robot book. And the reason that there was a two year gap between the publication of Daughter of the Flames and Shadows on the Moon.

Check it out!


Monday, 12 February 2018

TWO POSTS FOR THE PRICE OF ONE!

Hello and happy February Dear Readers! Happy Chinese New Year to any readers who celebrate it as well.

Today you get two posts for the price of one, although both of them are hosted over on other sites. Please do click through to check them out and share them if you like them.

The first is 'Away With The Fairies: Living Between Two Worlds' which is on the Royal Literary Fund's Collection Showcase. This is a light-hearted piece which goes into the effect of living an imaginative and creative life on the way that others may perceive you.

The second is rather less light-hearted (I did try, but the piece just didn't want to go that way) called 'White Noise' over on the Author Allsorts site. This is the story of how I went from an author who craved peace and solitude to one who is delighted to work in busy places surrounded by others.

In other news I'm still working on my watery-themed fairytale retelling and have finally chucked everyone right into the sea, by way of wrecking their ship, hurray! Yes, this is a cause for celebration. Shut up.

As before, I do have more exciting news to share, but the wheels of publishing grind exceedingly slow, and it's an author's lot to keep their mouth firmly shut. However, here's a shot of me working in my local coffee place a couple of weeks ago when something rather lovely turned up in my inbox:


Hopefully you will feel this level of delight when I can finally talk about it!

You'll notice my hair's finally growing out, by the way. What do you think, should I go back to shoulder length or maybe try something even more drastic and revisit the bob from 2007? Let me know what you think!

Take care and read you later, lovelies.

Sunday, 6 August 2017

ARE YOU A PATREON OF THE ARTS?

Hello, Dear Readers! BIG ANNOUNCEMENT today!

No, I'm not giving up on writing and moving to Tibet to herd yaks. I'm not changing my name to Lady Floreline P. Scumbletrump, getting a nose job, or switching genres to sexy romance novels with barechested hunks on the cover and titles like 'Seducing the Laird's Virgin Mistress'.

It's far more exciting than that.

I've launched a Patreon page!

Right here: https://www.patreon.com/zoemarriott

What the flying pamplemoose is a Patreon page, you ask? I would be happy - nay, delighted - to explain, Dear Readers.

But first we need to back up a little bit.

You see, for years and years and years here on The Zoë-Trope - since 2010, eep - I've been writing in-depth essays about all aspects of the writing craft and providing individual advice on issues like writer's block, motivation, publishing and the reality of the writing life. The blog's grown from teeny-tiny beginnings to the point where it gets around 1500 hits per day - nearly 50,000 a month. That's more than I ever could have dreamed when I started out! I used to get excited if I got 30 hits a week!

Professional writers have (with permission!) reproduced my essays in their classrooms order to teach creative writing at university level. My words have been quoted in writing magazines and even national newspapers. The All About Writing Archive contains hundreds of posts, hundreds of thousands of words, and represents years of my life. It's helped make me so many friends and I also believe that it's made me a better writer.

What it doesn't do at the moment is help to support my actual job, which (to my continuing surprise and joy) is writing ground-breaking, diverse, Feminist fantasy novels for young adults.

I'm a full-time writer. This means I'm effectively running a small business on my own. I spend a lot of time on things like organising receipts, keeping accounts, writing and sending and chasing up invoices, completing tax returns, arranging and attending book events, and promoting my work. If I don't have a contract with a publisher (and right now I don't) I need to find the money to support myself through other work (like my Royal Literary Fellowship) or through writing grant applications and entering competitions and prizes and crossing my fingers.

All of this takes time. A LOT OF TIME. I can't emphasize this enough. Actual writing doesn't even make up 50% of the time I spend working. Every writer I know is the same: we're constantly scrambling for any extra moment (in a cafe, on the bus or train, while in the hospital waiting room) to actually get some writing done.

And one of the biggest draws on my time, historically, has been my blog.

Now, I love this blog. I love YOU GUYS and having the chance to interact with you and talk to you about books and publishing and writing. I can't even express how much it means to me. But if I spend a day organising my receipts and chasing invoices, that has a direct and positive result on my business - I know what money is going out and am making sure I have money coming in. If I go to a book event to promote myself and sell a bunch of signed books, that is literally keeping my business afloat. And if I spend a day writing, and produce 2000 words, then that's contributing towards my art AND hopefully producing a piece of work which I can one day sell so that I can keep my business going for another year.

But if I spend a day writing a 2000 word essay for this blog, or answering someone's writing related question? It doesn't contribute towards my income or the well-being of my business at all. This isn't promotional stuff - it's not like sharing updates on book releases or events or even snippets of what I'm working on. In fact, it's taking time away from tasks that DO help to bring in some income. In other words, running the blog basically costs money that I (and, you know, my dog and the cats) need to live on.

As a result, the busier I've got trying to keep my business going - and the more worried I've been about money - the less time and joy I've had to dedicate to answering questions and writing essays.

That's been pretty sad for me, if I'm honest. I'm sure it's also been sad for you, Dear Readers. I've let Reader Questions and Tips for Young Writers nearly disappear from the blog at this point. The All About Writing archive hadn't been updated for over a year, and it was never really complete. Given the somewhat sucky search function on Blogger, that's a lot of advice and information that's not being utilised to its fullest extent, and a lot of questions going unanswered.

And that's where Patreon comes in. 


Because Patreon is a rather cool platform on which artists and other creative people like myself can offer exclusive content and rewards to fans who help support them.

I've taken down the (somewhat crappy) All About Writing page that used to live here - and I'm going to recreate it there. But better. I'm going to re-write, revise and refresh every single essay and piece of advice I've ever given and then repost it on my Patreon feed. I'll post at least one, preferably two pieces of writing or publishing related content every week, and sometimes more. I'll go back to answering reader questions on a regular basis. Once I reach a certain number of followers I'll open up a monthly poll that Patrons can vote in to tell me what aspects of writing they'd like me to explore, explain, and offer advice on.

This blog will still exist, and will still be updated a couple of times a month. I'll still rant here occasionally about Feminism, offer book reviews, and talk about what I'm working on and what I've got happening in terms of book releases and events. But readers who want more than that - which I know isn't everyone! - can subscribe to the Patreon for as little as about two quid a month in order to have access to that archive of in-depth, up-to-date writing advice. People who subscribe at the higher tier get to ask questions and have them answered, and those on the top tier (still under eight quid a month) get all that AND will get to see their names in the acknowledgements of all my books, as well as receiving advanced copies and other cool things.

Readers who chose to support me and want that extra content will have an ever-evolving resource where they are always guaranteed to get exactly the stuff they want, every week. And I can spend the time required to maintain and expand on that resource without feeling harried and guilty about taking the time away from 'real' work. Because creating writing essays and answering questions will now BE PART OF MY JOB.

How cool is that?

Head over to my Patreon and check it out, lovelies. There's one free post already available there and two more in the Patron only feed waiting. If you feel it's good value for money, you can become a part of a brand new community of writers there. And even if you can't subscribe yourself - which I totally understand! - you can still really help by sharing the page on social media and sending links to any of your writing friends you think might be interested.

I'm very excited about this. So like it says on the Patreon page itself: JOIN ME! We'll have fun and learn stuff :)

Thursday, 30 March 2017

SUPPORT THE SELF-EMPLOYED

Hi guys, I hope you're having a great week so far (or if not, that you're hanging in there for the weekend). A quick post today to ask for your support for all low earning self-employed people, which includes me and many of the talented children's and YA writers I know.

Some of you might be aware of the recent uproar over the proposed (unfair) changes in National Insurance Credits. They were going to make self-employed people pay more National Insurance, bringing them in line with employed people, even though self-employed people don't get access to most of the contribution based benefits that employed people do, such as statutory sick pay. The government were forced to do a u-turn due to widespread resistence, which was a great thing. But another issue to do with the tax paid by self-employed people has managed to slip under the radar, and it's just as serious.

They're goung to abolish something called Class 2 National Insurance credits, and this means that many very low earning self-employed people will face losing their state pension, even though many of us have already paid into it for years and despite the fact that self-employed people have no entitlement to any employer subsidized pension, which means any pension provision we make for ourselves already costs us way more than an employed person would expect to pay (that's if we can afford to do any saving for retirement at all).

Here's some more background if you're interested.

If you (whether you're self-employed yourself, or hope to be one day) think that targeting the lowest earners and forcing them to stump up massive wads of cash just to keep themselves above the poverty line in old age, while leaving higher earners untouched, is deeply unfair, then please sign and share my petition here.

It's all I can think of to do right now, and you never know - it could make a difference. And thank you in advance for supporting children's and YA writers.

Monday, 20 March 2017

LINKITY AND WHOOPS AND WIP STUFF

Hello, Dear Readers! It feels a bit insensitive to wish you a happy Monday (especially if the weather where you are is as filthy miserable as the weather where I am right now) so I'll just say that I hope the week's getting off to a good start for you so far.

As you can probably tell from the blog title this week, I've got a sort of gallimaufry to share today. First up, some links to a pair of posts made by the lovely Bonnie of A Backwards Story and her friend Jana at That Artsy Reader Girl where they interview me about BAREFOOT ON THE WIND and you get a chance to win a copy, or a copy of one of nearly a dozen other Beauty and the Beast themed novels, as part of their week of Beauty and the Beast. It's an international giveaway, so get in there!

This is celebrating the release of the Disney live action B&B this week - which, by the way, I really want to see, but have mixed feelings about too. So if anyone's already seen this and wants to give me yays or nays about the film in the comments, feel free!

In other BAREFOOT ON THE WIND related news, the book has been longlisted for the Southern Schools Book award, which is super fab. The longlist is rather intimidating, but it's great to see my strange little Feminist tale there among all the big names, and some friends of mine too.

Finally, *deep breath* at long, long, loooooooong last... the work in progress known as Codename: DTH... is finished!




WHOOOOOOOOP!

Well, I mean that it's finished in first draft. And a particularly messy, rough, incomplete first draft, too. I haven't even written the epilogue, because although I know the book needs a closing chapter to tie up lose ends and give the reader that satisfied The End feeling, I feel as if anything I write now will just be a placeholder that immediately ends up going in the bin once I've re-read the manuscript. So I decided to leave it instead. I've never done that before and it gives me a really queasy, guilty feeling.

However, since the book is already 130,000 words long (yeeeee!) which is as long as Shadows on the Moon was in first draft, I definitely don't feel like I need to be adding any unnecessary new length at this stage!

The book's now printed out in an entirely different font and format than the one that I'm used to working on, and has been secured with a veritable fleet of bulldog clips, since I don't have a folder big enough to fit it (yep, it's a bit... chunky. In a loveable way!). Since I've finished this a little ahead of schedule I'm going to give myself some extra time to get distance from it before I do a complete hard copy re-read and mark-up, write that epilogue, and then get to cutting, revising and polishing. I'm hoping that I'll be able to make substantial reductions in wordcount before I take that scary step of sending this off to my agent to see what she says.

Once it's in a state my agent can live with, then we'll be on a quest to try and find a home for the book - whether that's with my beloved Walker or someone else. I honestly, truly love this story and these characters and this world. I think it's the best and most challenging thing I've written since Shadows. And I believe the book is one that needs to be out there for readers to find. Fingers crossed that there's an editor (and marketing and finance teams) out there who can love it and believe in it as much as I do. If/when it does sell, I should be able to give you all a bit more detail about it.

In the meantime, I'll be refreshing my brain a bit by ploughing through as much as my To Be Read Pile as possible, and also working on some other - COMPLETELY DIFFERENT OMG - stuff, just for fun, to keep the writing muscles limber

Read you later, my muffins!

Monday, 6 March 2017

RETROTUESDAY: WOMEN DOMINATE? IN WHAT UNIVERSE?

Hello, lovely readers! It's time for RetroTuesday, when I delve into the archives of the blog and drag an older post (squinting, blinking, perhaps weeping) back into the daylight for readers who may have missed it the first time, or might enjoy reading it again. Today's post?

WOMEN DOMINATE? IN WHAT UNIVERSE?

I want to share with you an article I read today, which made me feel like choirs of heavenly voices were singing and casting golden light on me: Gender Balance in YA Awards

The glory of this article, Dear Readers! It has confirmed what I always suspected based on knowledge of my field: while there may be slightly more female YA authors (and why is that supposed to be a problem? More on that below!) men still dominate in terms of critical attention and also (although this is not covered explicitly in the post) tend to dominate in terms of sales, with the average NYT Bestseller list (as pointed out by Shannon Hale and Maureen Johnson) showing an 8:2 ratio in favour of male writers.

And yet! It is still widely accepted as fact that YA is 'dominated' by female authors and female stories, and that somehow the ladies are to *blame* for a drop in boy's interest in reading during teenage years. So widely accepted that while that post was making the rounds on Twitter this afternoon I actually saw a male author arguing that there is a 'boy crisis' in YA, and that the stats in the Gender Balance post don't work because male authors win a disproportionate amount of awards.

Um. What? If male authors win a disproportionate amount of awards in the YA field, doesn't that merely illustrate the same point?

I'd really like to know what the people who continually harp on about this issue in this way - lack of 'boy books', 'feminisation' of YA, failing a generation of young men, etc. - would like to see as a solution. Female authors realising the error of their ways and discarding their silly novels about silly girls, and henceforth writing only books about young men being traditionally manly? Female authors taking on androgynous pseudonyms in order to avoid scaring young men off with their lady cooties? Female authors retiring from the field of YA writing altogether and running cakeshops instead so that the men can take their rightful place as leading lights of YA?

Surely I'm overreacting - no one would ever suggest that! Except that I've read at least a couple of industry professionals making serious arguments that there needs to be a drive to create an influx of male editors, publishers, cover designers and writers into the YA sector - presumably to produce books which are sufficiently manly to drive away the girl cooties.

But what am I so worried about? If women were to stop writing YA books and the number of female protagonists were to drop, that wouldn't hurt anything, would it? Everyone knows girls are happy to read about the universal experience of being a boy. Whereas boys are naturally horrified by the suggestion they should read about that weird niche experience of being a girl. You can't expect them to care about the stories that have female protagonists. It's unfair and goes against all their instincts. It's not like women and girls actually make up just over half the human race - and therefore half of the human experience - or anything.

And even if literacy rates among girls did drop - maybe to levels similar to or lower than the current levels for boys - well, that wouldn't really matter, would it? That's the way it always used to be, boys coming first in everything, and it never did anyone any harm, did it?

Has anyone stopped to question why it is that there *are* slightly more female authors and more female editors in the field of children's and YA publishing? I should say it's fairly obvious. It's for the same reason that there are more female pediatricians, female nursery-school/kindergarden assistants, female elementary/primary school teachers, female nannies etc. etc. Because our society teaches us, every day and in every way, that being interested in and looking after children is women's business. That's it's OK and natural for us to get into any job that is concerned with kids.

Men don't go into those fields very often because, in general, it's not considered normal or natural for them to be interested in or want to care for children. You only have to watch the episode of Friends where seemingly sensitive, New Male character Ross is repelled by the very idea of a male nanny, to see the attitudes that are likely to put young men off from any career where their primary business is dealing with kids. Not to mention that any field in which the majority of roles are filled by women is likely to be far lower paid than a field which is dominated by men. We're still nowhere near pay equality anywhere in the world.

Why the sudden outcry, then, at the idea that there may be slightly more females working in YA or children's publishing and writing, even if guys do in general win the majority of the awards and get the majority of the sales in that field?

Because, all of a sudden, YA and children's publishing have become high profile and lucrative. And this has caused all the people that previously dismissed writing for children or working in children's publishing as petty and unimportant - and therefore, naturally felt that it was 'women's work' - to discover a deep interest in it.

But to their shock and disgust, many of the biggest names in children's and YA writing are women. Many of the most successful agents and editors are also women. Many of the books seem specifically aimed at girls. Is it really possible that women are contributing more to this field than men!? Not in terms of general sales or award attention or anything, but - there are still all these women everywhere!

What is the world coming to when such a high profile and lucrative field is full of GIRLS? Women are taking up all the room and attention that the men need!

No wonder boys don't read!

Bunkum. It is that attitude, that very one, which causes boys not to want to read.

The fall in literacy rates for boys is nothing to do with icky female authors and their icky books that dare to treat female characters and their stories as important. It is everything to do with a society that teaches young men that in order to be 'normal' they must embrace traditional ideals of masculinity - and that means rejecting any activity which might might be considered feminine, even tangentially.

Like reading.

It is everything to do with a society that teaches young men that being a great reader is nerdy and girly or even - worst of all! - GAY. So if they do read, they must be careful to never, ever, ever betray any interest in a book with a woman's name on it or a girl protagonist. In fact, to be safe, just play video games. Or football. Those are safe, boyish activities.

It is everything to do with a society that accepts male dominance as so natural, so unquestionably normal and right, that the NPR list of Best YA Novels, which was split quite equally between male and female authors - 59 women, 44 men - is heralded as evidence of something unnatural or sick, a forced 'feminisation' of the publishing category. The people who reacted with shock to this list feel instinctively that YA ought to be dominated by men, just like TV, films, advertising, academics, medicine and every other profitable field in our world.

So what if male YA authors do appear to get more awards and more sales? That isn't enough. The idea of a significant amount of women being prominent beside men in any important field is so alien that a slight majority of female YA authors (even if they're not receiving as much critical attention or getting as many readers) is considered, in itself, a problem.

Things will only be right when things flip the other way and male authors not only dominate in awards and sales but also sheer numbers. Only then will the natural order be restored, and boys miraculously become great readers - even though, of course, they will still scorn and turn away from any books written by, giving starring roles to, or marketed at, girls.

What is the betting, Dear Readers, if that through some twist of fate being a nanny suddenly became a high profile and lucrative field, people would be leaping out of the woodwork straight away to condemn the female domination of this profession? That suddenly fingers would be pointing at the women who've been quietly doing this job for decades and blaming them for the 'feminisation' of the young people under their care? That there'd be talk of trying to encourage men into the field so that boys - those poor, misunderstood boys! - didn't miss out unfairly?

Listen up.

Fewer boys read because our society teaches that it is not 'normal' for them - ie., 'manly' for them - to be interested in sitting quietly in their room, alone, reading books. Since they're also taught that the most horrible, awful thing to be accused of in the world is being unmanly or, in other words, 'girly' (or, le gasp, GAY, quelle horreur!) of course many of them jump ship from reading to killing things on computer screens as soon as they hit puberty.

Fewer men enter the field of children's and YA publishing because our society teaches that a career focused on children and young adults is not 'normal' for them - ie., manly - and because they are aware that 'women's jobs' are not as well paid (even though it turns out that many men will be rewarded for entering this field with better sales and critical attention).

THIS IS NOT WOMEN'S FAULT.

Stop blaming us for the effects of a society that oppresses us. We're not the ones that built it (even though many of us are so indoctrinated by it that we will fight to defend it). That's why it's a patriarchy. If you don't like it, try dismantling it. Good luck. I'll be over here writing the stories I want to write in the way that seems best to me, without any regard to you, or any other group that apparently sees my contribution to my chosen field as so utterly pointless and insignificant. I don't need to justify the fact that I'm female or that I'm interested in the stories of female characters, and nor do the other lady children's and YA writers out there.

WE HAVE THE RIGHT TO EXIST, THE RIGHT TO CREATE, AND THE RIGHT TO PROSPER.

If you feel that mere fact threatens you and the young men in your life? The problem is yours. Not ours.

If you need anymore background on the different ways that boys and girls are socialised to act? Read this: Boys Will Be Boys Is No Excuse.

Oh, and if you think that I'm wrong, and We're All Equal Now, So We Should Shut Up And Go Home? That post has some pretty telling points to make on the skewed idea of 'equality' that the media presents too (but this has adult language and a trigger warning, so stay away if it's not for you). 
 

Tuesday, 11 October 2016

NEW ARRIVALS!

Hello, my little macaroons! Happy Wednesday to everyone, and thank you for joing me today. I'm delighted to say that I have pretty pretty pictures to share - because in the last week not one but TWO delightful parcels have arrived for me bearing gifts.

What was in package number one, you ask? Why ask no further, because it was THIS:

 
 

The final volume of the Candlewick Press hardback editions of The Name of the Blade Trilogy! A rather lucious jade green this time, with a scale effect and copper typography - and matching green binding with copper foil and endpapers.

And yes, that's a jellyfish in the silhouette. If you've read the book you know why, and if not then you'll just have to buy this and find out won't you?

But even better than that!



Together at last. My fourteen year old self, if she could see this, would be actual-facts-ugly-crying. I nearly did myself. The trilogy is now officially completed and it's so beautiful!

But wait - there's more. ALSO in the post last week was THIS:




Yes, that's a glimpse of the long-awaited sequel/short story/epilogue of Shadows on the Moon, which I hope will satisfy fans of the book at last. But this book, too, is part of a set, so it seemed only right to do this:




Look what they did with the back covers there - isn't that clever? It's almost like the tangle of thorns transforms into a swirl of hair in the same gust of wind the sweeps the cherry blossoms across from one book to another. Gorgeous!

Frail Human Heart will be out in the US at the beginning of November. This new and improved version of Shadows on the Moon will be out here in the UK at the same time.

Once they're both on the shelves... I'm sure not what'll be next for me. I'm out of contract now - I have no new books due out for the first time in a decade. I'm still working on the book I got my Arts Council grant for, and I'm hoping to make a giant leap in progress during NaNoWriMo this year (yes, I'm going to give it another bash, no, I never learn, and yes, I will keep you all abreast of my progress - in fact, why not join up too and friend me here?) but I don't know when or if that will be published. I have some other news about my future which I'm hoping to share soon, but I need to get official confirmation first. Apart from that it's all wide open, which is both scary and exciting. 2017 is going to be an eventful year, I think!

Read you later, cupcakes!

NaNoWriMo
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